Exhausted anarchist and school abolitionist who can be found at nerdteacher.com where I muse about school and education-related things, and all my links are here. My non-book posts are mostly at @whatanerd@treehouse.systems, occasionally I hide on @whatanerd@eldritch.cafe, or you can email me at n@nerdteacher.com. [they/them]
I was a secondary literature and humanities teacher who has swapped to being a tutor, so it's best to expect a ridiculously huge range of books.
And yes, I do spend a lot of time making sure book entries are as complete as I can make them. Please send help.
Tokyo, 1869. It is the dawn of the Meiji era in Japan, but the scars …
Structurally and narratively interesting.
4 stars
One of the things I most appreciated is that this story is structured in a manner as to be multiple stories that all connect, so it feels like you're reading multiple short stories that initially appear mostly disconnected until too many connections keep making you (like the audience stand-in Kawaji) think that there's something more.
Some of the cases, however, don't seem possible to solve on your own with any of the information provided. A couple of them feel like there is foreshadowing, but others feel like there's just... no way to solve it using the information provided.
Super easy to read this book when you've read all but one essay in it multiple times already. (Or, in some cases, have come back to the essay multiple times, skimming it for the piece of information you remember existing within its text.)
This book frustrates me, much like many of the David Graeber projects that have come out since his death. There's a hollowness to it that feels like someone trying to build a person up into some kind of Anarchist God (or Anthropologist God), and it's exhausting. Certainly, there must be more people out there than this one man who often and frequently neglected whole swathes of criticism that would've fueled his analyses. I'm sure there must be more people out there than the one guy who—though his work was engaging, sometimes insightful, and interesting—frequently extrapolated his more modern examples to beyond useless because he rarely looked at …
Super easy to read this book when you've read all but one essay in it multiple times already. (Or, in some cases, have come back to the essay multiple times, skimming it for the piece of information you remember existing within its text.)
This book frustrates me, much like many of the David Graeber projects that have come out since his death. There's a hollowness to it that feels like someone trying to build a person up into some kind of Anarchist God (or Anthropologist God), and it's exhausting. Certainly, there must be more people out there than this one man who often and frequently neglected whole swathes of criticism that would've fueled his analyses. I'm sure there must be more people out there than the one guy who—though his work was engaging, sometimes insightful, and interesting—frequently extrapolated his more modern examples to beyond useless because he rarely looked at the context in which those examples fit (a superb irony for an anthropologist who had careful consideration for the nuance of the past).
At best, his work regarding patriarchy was surface level, and I don't care how many people try to convince me otherwise while highlighting the works in which he showcases those very surface level critiques. "The Bully's Pulpit," which is present in this book, is a perfect example of not understanding how the targeting of Bosniak boys and men over the age of 15 is part of a patriarchal problem, nor does it really explore why it was that Bosnian Serbs could successfully target them and pretend they weren't engaging in genocide, but it is also a perfect example of how that that very idea he had around boys and men can be extrapolated and misattributed by the "male loneliness epidemic" manarchists.
There is one "new" essay, which I have not found anywhere online. It's "The Revolt of the Caring Classes." Perhaps someone should lift it and post it to TAL, ensuring that the collection is complete. Perhaps it's good as a free ebook that collates a lot of his most commonly referenced essays, but I couldn't in good conscience recommend someone pay for this (saw a hardback in my local bookstore for €32, which is a bit pricy for things that've been widely distributed multiple times). Other essays included were turned into longer works (such as "There Never Was a West," which fueled much of what became The Dawn of Everything and "On the Phenomenon of Bullshit Jobs," which became Bullshit Jobs).
It's baffling that this is the choice that would be made, either by the editors or the publisher. Certainly, it would've been more interesting to engage in his unpublished works over these often referenced pieces.
There is an entire section in this collection, “The Revolt of the Caring Classes,” describing David’s proposal to integrate Marxist and feminist approaches, creating a new form of the labor theory of value.
Ironically, this section includes an essay with this same title, and that particular essay is the only one that is not available for free anywhere at all (while literally every other essay can be accessed either on davidgraeber.com, the original publication was published in, or The Anarchist Library). And I find it particularly amusing that it's this piece because David's ability to engage in feminist texts was limited, at best (and is one of my constant criticisms of his work because it becomes very obvious where someone has given him feedback about engaging with and citing more feminists... since it's almost always in citation chunks and rarely ever spread through the whole).
There's even a line in Erica Lagalisse's obituary for David that highlights this:
He read very few of the feminist texts I recommended, but often cited them where I told him to.
I suspect that this essay comes …
Ironically, this section includes an essay with this same title, and that particular essay is the only one that is not available for free anywhere at all (while literally every other essay can be accessed either on davidgraeber.com, the original publication was published in, or The Anarchist Library). And I find it particularly amusing that it's this piece because David's ability to engage in feminist texts was limited, at best (and is one of my constant criticisms of his work because it becomes very obvious where someone has given him feedback about engaging with and citing more feminists... since it's almost always in citation chunks and rarely ever spread through the whole).
There's even a line in Erica Lagalisse's obituary for David that highlights this:
He read very few of the feminist texts I recommended, but often cited them where I told him to.
I suspect that this essay comes thematically from his lecture titled "From Managerial Feudalism to the Revolt of the Caring Classes," though that specific essay wasn't published elsewhere. And I don't see how it's inherently feminist when he doesn't even engage in a feminist critique. He hasn't made any critique that frames who is largely responsible for 'caring work', and a lot of his assumptions are within the language he uses (e.g., "nurses" is a generally a neutral term and male nurses exist, but we often see "nurses" as feminine in, at least, the Western context) rather than being made explicit and connecting them to issues he rarely addresses (or doesn't address well), like patriarchy. He talks a lot about "power," but he doesn't completely engage in the systems of power.
Since David’s death in 2020, much of my life has been entwined with his vast archive of published and unpublished texts, hundreds of notebooks, audio and video recordings, and correspondences. David once said that the real care for a “great man” begins after his death, and is almost always done by women. Now I know what he meant.
This is the opening paragraph to Nika's introduction, and I find it a bit absurd. Perhaps David said it, but I have to wonder if this is what he meant. Part of what has made me disconnect from David's work has been the ways in which it feels like people keep trying to turn him into some kind of Anarchist God now that he's passed.
I have always had my own issues with David's work (namely the way that he'd often forget to include a whole range of analyses that'd actually make his work clear and decrease its use by people who want to misrepresent the point), but I have always found some value in it. However, none of it has ever felt worthy of turning him into a god in the postmortem, as so many seem to have wanted to do.
No one has asked her to do all …
This is the opening paragraph to Nika's introduction, and I find it a bit absurd. Perhaps David said it, but I have to wonder if this is what he meant. Part of what has made me disconnect from David's work has been the ways in which it feels like people keep trying to turn him into some kind of Anarchist God now that he's passed.
I have always had my own issues with David's work (namely the way that he'd often forget to include a whole range of analyses that'd actually make his work clear and decrease its use by people who want to misrepresent the point), but I have always found some value in it. However, none of it has ever felt worthy of turning him into a god in the postmortem, as so many seem to have wanted to do.
No one has asked her to do all this work to transcribe and archive everything he ever did (unless he did prior to his death or in his will, in which case... I think that'd be a superb irony), and it originally felt very much like the 'care work' taken on via grief (something I wish, in more situations, people would acknowledge as what they're doing). If people have asked her to do it, maybe she felt guilted into continuing his work. I don't know, but the entire project (as a whole) feels empty and hollow. Those feelings colour how I feel about this €30-something book full of essays you can find for free.
On some level, I have to wonder if this is what anyone would want. Not just David, but anyone at all. Is it 'posthumous freedom' (a term used in the intro) for someone to... chain everything down to the idea of one person?
An NPR education reporter writes about how the COVID pandemic disrupted children's lives.
So much of what she writes can be easily broken down if you know even a glimmer of US history with regards to: child labour laws, the introduction of birth certificates, and the introduction of compulsory schooling. She wants to make some kind of point without any of that contextualisation, which is ludicrous.
This woman writes as if she believes that she's the modern day Mother Jones, which is pretty funny. Also, this book is so sparse on info in a lot of places that I haven't stopped feeling like it was a "make a quick buck on the pandemic topic" book.
An NPR education reporter writes about how the COVID pandemic disrupted children's lives.
While always recognized as costly, school closures weren’t as widespread or disruptive in earlier decades as they were likely to be in 2020. In 1918 and in the 1940s, enrollment overall was much lower. High school graduation rates didn’t cross 50 percent in this country until the end of the Second World War. Fewer women were working and thus reliant on school for childcare.
There's a major problem with this quote, and it's that you can splice it into pieces almost immediately, here's some contextualisation that breaks her argument (this paragraph and more) very fast:
Compulsory schooling in the United States was relatively brand new. The first state to introduce it was Massachusetts in 1852, with the last state introducing it being Mississippi in 1917 (admittedly, I don't know how chronologically organise places turned into states or made into territories after 1917; for example, Hawai'i has a pretty old public school system that was set up under King Kamehameha III in 1840, but I'm pretty sure it was wildly altered after the overthrow of the Hawai'ian government in the 1890s).
Despite compulsory schooling being done, it was hard to monitor whether or not kids attended. Birth certificates actually made this kind of surveillance much easier, and those weren't even really uniformly used in the …
There's a major problem with this quote, and it's that you can splice it into pieces almost immediately, here's some contextualisation that breaks her argument (this paragraph and more) very fast:
Compulsory schooling in the United States was relatively brand new. The first state to introduce it was Massachusetts in 1852, with the last state introducing it being Mississippi in 1917 (admittedly, I don't know how chronologically organise places turned into states or made into territories after 1917; for example, Hawai'i has a pretty old public school system that was set up under King Kamehameha III in 1840, but I'm pretty sure it was wildly altered after the overthrow of the Hawai'ian government in the 1890s).
Despite compulsory schooling being done, it was hard to monitor whether or not kids attended. Birth certificates actually made this kind of surveillance much easier, and those weren't even really uniformly used in the US until the 1930s. (Some of us have grandparents who didn't have birth certificates because they weren't in wide usage.) As a result, it was easier for families to keep children home despite the mandates of compulsory schooling.
Child labour laws weren't really introduced until 1938 (FSLA), and they weren't really fully enforced until 1950s (if they are at all). Again, a lot of us have grandparents who didn't complete the compulsory schooling of the time because they left early to go work in factories so they could help support their families.
Compulsory schooling was much shorter in the 1940s than is today. Unless you wanted to go to university, you were done at 15. It's like that'd impact student enrolment.
... And gee, I wonder why fewer (WHITE) women were working prior to WWII.
An NPR education reporter writes about how the COVID pandemic disrupted children's lives.
So much of what she writes can be easily broken down if you know even a glimmer of US history with regards to: child labour laws, the introduction of birth certificates, and the introduction of compulsory schooling. She wants to make some kind of point without any of that contextualisation, which is ludicrous.
An NPR education reporter writes about how the COVID pandemic disrupted children's lives.
I am really struggling with the introduction to this book. In my most charitable, all I can say is that she wrote it hastily in order for her and her publishers to meet a deadline that would best allow them to profit from pandemic books.
But there are some lines and paragraphs that really stick out like sore thumbs, like how we're fortunate that hundreds of children died because it could've been much worse. Idk, I think any children dying to a pandemic is awful. I would've also thought she'd put some numbers up next to those for how still-living children were impacted by the loss of their caregivers because they died (which maybe she'll do... at some point?).
But there's a lot of attempts to justify the existence of schools because of all the responsibilities they have (but shouldn't) without even a glimmer of asking whether that makes any …
I am really struggling with the introduction to this book. In my most charitable, all I can say is that she wrote it hastily in order for her and her publishers to meet a deadline that would best allow them to profit from pandemic books.
But there are some lines and paragraphs that really stick out like sore thumbs, like how we're fortunate that hundreds of children died because it could've been much worse. Idk, I think any children dying to a pandemic is awful. I would've also thought she'd put some numbers up next to those for how still-living children were impacted by the loss of their caregivers because they died (which maybe she'll do... at some point?).
But there's a lot of attempts to justify the existence of schools because of all the responsibilities they have (but shouldn't) without even a glimmer of asking whether that makes any sense or what we could do instead.
On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of …
Disappointing in more ways than it interested me.
2 stars
Content warning
I just have to spoil some things in order to actually talk about the few interesting elements in an otherwise obnoxious book.
I find this book... frustrating. The ending it has just feels like it comes out of nowhere, like the story just... stopped because the author was over it, like it was the last chapter in a fanfiction that someone wanted to stop because they were tired but kept persisting because someone else bothered them to do so.
And I find the use of the characters' secrets a bit... boring. Many are predictable in ways that kind of make me want to roll my eyes, while others are predictable in a manner of it not being telegraphed well in advance but the expected response is still, "Oh, of course that's what happens."
If anything was less frustrating it was the fact that liberal-coded values weren't upheld as being inherently positive. The final plan that the main cast enacts fails completely because they are... too beholden to doing justice that is just so toothless. "We'll call for a press conference and drag every media outlet into one place!" They even invite someone who claimed she was 'used' by the villain, telling her exactly what the plan was! Just so she could "also face some justice" that would never come, and that person works with the villain to help slaughter every person in the room so they could never report on it. The plan is an entire failure, and I kind of wish there was some kind of conversation around that point...
... but you can't have a conversation when it feels like you just threw the book at the publisher because you didn't want to write it anymore. I don't even want an explicit conversation, but having at least one scene where there is even a glimmer of recognition for the failure that could happen... Sometimes you need that, especially when that failure might be the point.
It's so annoying. I love the concept for what this story is, but I also just... kept feeling like I didn't know why I should care about anything. I wasn't invested in the relationships I was told to be invested in; I wasn't invested in the characters that I probably should've been (especially when they're going to be outed as being the most terrifying of vampires and the person who was made into the reason for a huge part of the plot)... I could barely care about Jin and Flick's little blossoming romance because I just... couldn't really see why I should care about them? And part of it is just that everyone felt so flat and boring and tedious.
Edit: Oh, I see. It has a sequel, which explains its poor ending. But even for a sequel, this did not make me have a desire to read the next one.
From Goodreads: Selected by The New York Times Book Review as a Notable Book of …
I mean, it's obvious that this man is an excruciatingly racist piece of shit, but holy shit.
In 2011, we knew that the Broken Windows Theory was wrong and that Wilson/Kelling had misrepresented it with full intent to support racist policing. Pinker doesn't seem to care that Zimbardo's original experiment never supported the Broken Windows Theory and talks about it as if it were truth. Granted, this chapter is also one in which he cites Charles Murray and Francis Fukuyama, so I can't be surprised he's a fan of it.
In terms of history, he has never engaged with anything beyond what little he seems to have learned from coffee table books (which he even explicitly points to as his inspiration for a chapter on torture). We knew in 2011 that the use of the Iron Maiden and similar contraptions, like the Virgin of Nuremberg, were largely believed to be …
I mean, it's obvious that this man is an excruciatingly racist piece of shit, but holy shit.
In 2011, we knew that the Broken Windows Theory was wrong and that Wilson/Kelling had misrepresented it with full intent to support racist policing. Pinker doesn't seem to care that Zimbardo's original experiment never supported the Broken Windows Theory and talks about it as if it were truth. Granted, this chapter is also one in which he cites Charles Murray and Francis Fukuyama, so I can't be surprised he's a fan of it.
In terms of history, he has never engaged with anything beyond what little he seems to have learned from coffee table books (which he even explicitly points to as his inspiration for a chapter on torture). We knew in 2011 that the use of the Iron Maiden and similar contraptions, like the Virgin of Nuremberg, were largely believed to be myth because we could find no contemporary evidence of their use... just a lot of things from later historical periods after that claimed it existed or was used. Pinker doesn't even bring this up.
From Goodreads: Selected by The New York Times Book Review as a Notable Book of …
I mean, it's obvious that this man is an excruciatingly racist piece of shit, but holy shit.
In 2011, we knew that the Broken Windows Theory was wrong and that Wilson/Kelling had misrepresented it with full intent to support racist policing. Pinker doesn't seem to care that Zimbardo's original experiment never supported the Broken Windows Theory.
In terms of history, he has never engaged with anything beyond what little he seems to have learned from coffee table books (which he even explicitly points to as his inspiration for a chapter on torture). We knew in 2011 that the use of the Iron Maiden and similar contraptions, like the Virgin of Nuremberg, were largely believed to be myth because we could find no contemporary evidence of their use... just a lot of things from later historical periods after that claimed it existed or was used. Pinker doesn't even bring this up.
On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of …
I'm not entirely ... disliking it, but I'm still getting a very large "You fucked me over, so I'm going to fuck you over using this system" vibe that I'm just not keen on.
Am hoping for some kind of examination of the illogical structure of maintaining the colonial structures, even when done in a "decolonial" manner.
From Goodreads: Selected by The New York Times Book Review as a Notable Book of …
The number of dog whistles is just... So fucking many. This is not surprising, but it is just... whew.
He managed a citation that included BOTH Fukuyama and Murray. Not only did he cite them both INDIVIDUALLY, but one of the citations is them AT THE SAME TIME. What the hell.
And it's a serious citation. It's not a critique-based citation. It's a citation to prove the point and just... WHAT.