English language
Published June 30, 2023 by Dragonsteel Entertainment, LLC.
Yumi comes from a land of gardens, meditation, and spirits, while Painter lives in a world of darkness, technology, and nightmares. When their lives suddenly become intertwined in strange ways, can they put aside their differences and work together to uncover the mysteries of their situation and save each other’s communities from certain disaster?
As usual in Sanderson's books, the start is slow, invested into world building and a new “magic system”. The setup has charisma, and we can see how the characters are so different yet so similar, both trapped in their own duties, loneliness, and trauma.
Content warning Lots of Cosmere Spoilers
Like Tress, this book contains a number of Cosmere in-references and features Hoid as the narrator. Pretty quickly you find that Hoid has found himself in yet another ridiculous situation where he's incapacitated in some way (like Tress), but he's unable to act in this one (unlike Tress). Taking Hoid's place in the role of "mentor" is Design, the cryptic that Hoid picked up in the Stormlight Archives. Now she's a buxom woman now (or rather, the illusion of a buxom woman) with "definitely very human mannerisms". I enjoyed her persona here, it provided the comic relief as a stand-in for Hoid. They really are made for each other.
The ideas behind how the Nightmares work and how the world functions really didn't make sense to me at first, but when the reveal comes at the end of the novel it all satisfyingly clicked into place. Like, in the initial chapters, I was wondering if it was tidally locked, but turns out, no.
Other thoughts:
The moral lesson / Painter's growth was good. He did that thing again where he has a character plainly lay out the backstory which is useful, but I'm not a big fan of that. The third viewpoint character (who didn't really get any viewpoint scenes) was nice, I enjoyed her. The reference to Threndony was A+.
Entertaining early adult romance of extravagant differences. As I jump into a standalone story set in a larger universe, it's hard to judge if some of the author-character hand-waving is clever or cheap, and I know I found the concluding twist to be both, but I'll try another.
This is the third of Sanderson's "Secret Novels" and the strongest so far. It starts off slower than the previous two, but ultimately builds more emotional attachment between the reader and the characters than its predecessors. I do like that Sanderson is wringing some things that aren't of epic scope (and length), but still tell an good story with impressive worldbuilding.
