471 pages
English language
Published Nov. 13, 2005
The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.
Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.
This is the second Banks I’ve read and I thought they were both terrific. Unlike some epic, galaxy-spanning space operas, this was pacey, smoothly written with great characters and loads of action and adventure.
Cela faisait un moment que je voulais lire le cycle de la Culture de Iain M. Banks et je me suis enfin décidé à m'y mettre. Je ne sais pas si je dois me réjouir d'avoir autant attendu ou regretter de ne pas l'avoir fait plus tôt, tout est-il que le premier roman du cycle m'a beaucoup plu.
Le récit est rythmé et finalement assez classique. On s'attache énormément aux personnages et on suit avec plaisir leurs aventures et mésaventures. Surtout, l'univers est original, on pressent une grande richesse à explorer dans la suite du cycle. C'est de la science-fiction inventive et intelligente, tout ce que j'aime.
I definitely enjoyed this more than (Surface Detail)[https://book.dansmonorage.blue/book/18939]. If nothing else, it is notably shorter, which suggests an instance of "established authors need editing too".
Banks does love to shock, and loves to write "cinematically", which occasionally a bit tiresome.
While I think describing the Culture series as "Literary Science Fiction" is a bit of stretch, there are some interesting big picture ideas, and some of the characters have some depth, or at least some interior life. The choice of having a "bad guy" protagonist already elevates it beyond a lot of more pulpy SF.
I don't know why I was under the impression that this was a super important part of the sci fi cannon. It had some interesting imagery in it, but it was pretty silly action movie sequences for the large part. I am curious how the culture grows in the other books though, there were enough of these written that some in them must have stuck.
