158 pages
English language
Published Nov. 12, 2018
It has a dark past - one in which a number of humans were killed. A past that caused it to christen itself Murderbot. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a research transport vessal named ART (you don't want to know what the A stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks...
about a year since I read the first book, and a TV show in between it was time to pick up murderbot again. took me a bit of time to get into it, but once I was the book was finished in the day. enjoyed being back in murderbots head, the interactions with ART are great. just wished the climax would have been drawn out a little longer!
This is my favorite Murderbot novella. What stands out the most to me is the prickly but endearing not-friendship between ART and Murderbot. I also love seeing Murderbot taking on its first clients (by choice) and feeling just as invested in doing a good job in protecting them. My delight in this book is probably why I also like the novel Network Effect so much, as it feels like a thematic expansion of all the best bits of this book (plus ART).
I think it's also easy to read this book as such a queer and trans story (only metaphorically, as it would be horrified at this comparison). It really gets into how fraught physical change for the purpose of passing is; it's something that Murderbot feels it needs to do for safety as rogue SecUnit, even as it feels emotionally unsafe to do. And also it's Murderbot having to …
This is my favorite Murderbot novella. What stands out the most to me is the prickly but endearing not-friendship between ART and Murderbot. I also love seeing Murderbot taking on its first clients (by choice) and feeling just as invested in doing a good job in protecting them. My delight in this book is probably why I also like the novel Network Effect so much, as it feels like a thematic expansion of all the best bits of this book (plus ART).
I think it's also easy to read this book as such a queer and trans story (only metaphorically, as it would be horrified at this comparison). It really gets into how fraught physical change for the purpose of passing is; it's something that Murderbot feels it needs to do for safety as rogue SecUnit, even as it feels emotionally unsafe to do. And also it's Murderbot having to navigate this change with the (extremely pushy but supportive) help of ART.
This book also gets into some of Murderbot's traumatic history in its investigation of Ganaka Pit. On a reread, I think I was surprised at how little reaction this gets from Murderbot in the moment once it has unraveled a core mystery of its past. But, at the same time, trauma is unevenly distributed, Murderbot is not the best at feelings, and it certainly catches up later in conversation with ART and Tapan.
The relationship between Murderbot and ART was one of the most adorable and hilarious things I've read recently. Hoping they get to meet again in the future.
Wild that these books are so cosy. Devoured in about an hour, they're snug little reads that dont need much from you, which is very nice. Mystery, action, media, its got it all! (Loved our new friend ART, I hope it returns.)
The second 'Murderbot' story, this one has it going back to where it all began, a mine where it went 'rogue' and killed its clients, forcing it to disable its governor, so it wouldn't happen again. But memory, especially mostly erased memory, is a tricky thing. It isn't sure if it was the governor that made it go rogue, or it disabled its governor to go rogue. Either way, it has to know.
But getting to the mine on a distant planet won't be easy. On the journey, it finds an uneasy ally in the transport ship which happens to be an on-loan research vessel with a hugely powerful bot in charge of it, but is rather emotional over entertainment shows (provided by Murderbot) featuring research vessels whose crew dies from misadventures and needs some 'hand holding'.
On the planet itself, it hires itself off to a small team going …
The second 'Murderbot' story, this one has it going back to where it all began, a mine where it went 'rogue' and killed its clients, forcing it to disable its governor, so it wouldn't happen again. But memory, especially mostly erased memory, is a tricky thing. It isn't sure if it was the governor that made it go rogue, or it disabled its governor to go rogue. Either way, it has to know.
But getting to the mine on a distant planet won't be easy. On the journey, it finds an uneasy ally in the transport ship which happens to be an on-loan research vessel with a hugely powerful bot in charge of it, but is rather emotional over entertainment shows (provided by Murderbot) featuring research vessels whose crew dies from misadventures and needs some 'hand holding'.
On the planet itself, it hires itself off to a small team going to the planet to meet a company person holding the team's data hostage. An attempted sabotage raises the stakes as Murderbot now has to protect his clients and get them safely off the planet again before going off to find the mine. When he does this, the truth he discovers is not what he remembers. But he now has to go save his clients again before deciding what to do now he knows just what happened at the mine.
