eBook
English language
Published Nov. 13, 2009 by Independently Published.
The Hunchback of Notre-Dame (French: Notre-Dame de Paris, lit. 'Our Lady of Paris', originally titled Notre-Dame de Paris. 1482) is a French Gothic novel by Victor Hugo, published in 1831. It details the story of Quasimodo, the disabled bell-ringer of Notre-Dame, as he struggles to stand up to his ableist guardian Claude Frollo, who also wants to commit genocide against Paris' Romani population.
The novel has been described as a key text in French literature[1] and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce (both as Quasimodo).
The novel sought to preserve values of French culture in a time period of great change, which resulted in the destruction of many French Gothic structures. The novel made …
The Hunchback of Notre-Dame (French: Notre-Dame de Paris, lit. 'Our Lady of Paris', originally titled Notre-Dame de Paris. 1482) is a French Gothic novel by Victor Hugo, published in 1831. It details the story of Quasimodo, the disabled bell-ringer of Notre-Dame, as he struggles to stand up to his ableist guardian Claude Frollo, who also wants to commit genocide against Paris' Romani population.
The novel has been described as a key text in French literature[1] and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce (both as Quasimodo).
The novel sought to preserve values of French culture in a time period of great change, which resulted in the destruction of many French Gothic structures. The novel made Notre-Dame de Paris a national icon and served as a catalyst for renewed interest in the restoration of Gothic form.[2]
You kinda have to get into the right mood to enjoy this. Lots of discussions of aesthetics and architecture. Entire chapters dedicated to describing Parisian landscapes and buildings.
The pace picks up at the end, where almost all the plot beats happen back to back. But that's not really the point, is it?
